What’s most striking...is its sparseness. There are no extraneous characters nor situations, and we’re not given much information outside of that which drives the story.

...Cop Car is a surprisingly nasty piece of work, more reminiscent of old John Dahl thrillers from the ’90s (Red Rock West, The Last Seduction) than of Let’s Be Cops.

Det är subtilt och sparsamt men samtidigt spännande.