By going back to nature—and to his indie roots—the director of George Washington has reconnected with his poetic side. The Malick comparisons seem appropriate again.

...the perfect end to a long summer of computer-generated spectaculars, a film in which there are only two special effects: natural beauty and human emotion.

The transposition from volcanic Iceland to wildfire-damaged Texas works, and Green’s free-wheeling direction is beautifully complemented by Tim Orr’s cinematography...

...en vaskeægte buddy movie, men med mere eksistentiel kant og finesse end de fleste.

Skådespelarinsatserna och karaktärsskildringarna är på pricken och med det vackra fotot får den här filmen lätt en plats i våra hjärtan.