The Holdovers currently has an average rating of 7.9 out of 10 and has been rated by 302 users on our platform.
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Giamatti deserved his Globe, and the rest of the cast more than pull their weight, but Payne's remarkably skillful control of tone and the lived-in feel also make his latest movie one of the most enjoyable in his ouevre. And it's no less...
...there’s something about The Holdovers and its misty-eyed melancholy that feels worth adding to the rotation.
Read full review at The GuardianEn skandal att en av årets bästa biofilmer inte nominerades för en Golden Globe för bästa manus?! Nåväl den tilldelades priser för bästa kvinnliga och bästa manliga och den är verkligen karaktärs- och storydriven och skapad med stor ackuratess och...
...hjärtskärande charmig komedi med Paul Giamatti i toppform.
Read full review at Dagens NyheterMagien fra ’Sideways’ genopstår i en ny og overraskende fortælling, der er som skræddersyet til Paul Giamatti.
Read full review at Politiken...transcenderer hverdagsproblematikker til eksistentielle og medmenneskelige anliggender.
Read full review at Soundvenuesjukt fin färgsättning på filmen som verkligen andas 70-tal. Bra historia, ksk något lång? Men kan verkligen rekommendera att se den!
...velovervejet og følsom, rasende intelligent og uendeligt længselsfuld.
Read full review at Filmmagasinet EkkoA warm reunion for Alexander Payne and Paul Giamatti.
Read full review at The A.V. ClubAlexander Payne returns to form with a sharp, witty, and warm Christmas movie.
Read full review at Entertainment WeeklyThough tinged with sadness - be prepared to shed a tear - it’s sure to become a feel-good, festive favourite.
Read full review at GamesradarAlexander Payne cozies up to the past in the delightful, nuanced The Holdovers.
Read full review at Paste Magazine...the most scintillating festive movie in years.
Read full review at Little White LiesThe star gives an awards-worthy performance as a teacher forced to look after pupils over the Christmas break in this terrific period piece.
Read full review at The Telegraph