At Eternity's Gate currently has an average rating of 6.8 out of 10 and has been rated by 54 users on our platform.

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Critic Wendy Ide
rated 6

Julian Schnabel brings an artist’s sensibility to the storytelling; Willem Dafoe (...) is all angles and anguish as the painter.

Read full review at The Guardian
Critic Marjorie Baumgarten
rated 8

Not enough can be said about Willem Dafoe’s amazing performance as van Gogh. It is some of the best work of his career.

Read full review at The Austin Chronicle
Critic Jeffrey Anderson
rated 8

At Eternity's Gate joins a long list of already existing movies about Van Gogh, and it's welcome among them.

Read full review at Common Sense Media
Critic Ian Freer
rated 8

...Schnabel’s film is visually vibrant, sensitive and courageous, revealing how the artist’s work was as much fuelled by his torments as hindered by them.

Read full review at Empire
Critic Filip Kruse
rated 6

Ett vackert porträtt om delar av Vincent van Goghs liv.

Read full review at Filmtopp
Critic Jane Magnusson
rated 8

...gör poetisk verklighet av van Goghs hårda liv.

Read full review at Dagens Nyheter
Critic Jens Peterson
rated 6

Bildpoesi försöker fånga van Gogh.

Read full review at Aftonbladet
Critic Uffe Stormgaard
rated 7

En slags biopic, der vil meget mere end at give os de historiske kendsgerninger...

Read full review at Cinemazone
Critic Morten Kildebæk
rated 5

Specielt samspillet med Oscar Isaac som den bryske malerkollega, ven og mentor Paul Gauguin slår gnister, når de diskuterer malerkunstens praksis.

Read full review at Soundvenue
Critic Mats Johnson
rated 6

På det visuella planet är dock filmen superb hela vägen.

Read full review at Göteborgs-Posten
Critic Annika Andersson
rated 8

Filmfotot speglar van Goghs konst och resultatet är en njutningsfull visuell upplevelse!

Read full review at Moviezine
Critic Mikkel Krebs Behnke
rated 7

...den amerikanske film- og billedkunstner Julian Schnabel har skabt en poetisk og billedskøn film om en sand kunstner i de sidste år af hans liv.

Read full review at Filmmagasinet Ekko